Reinterpreting classic forms through a modernist lens, M Residence by Paul Conrad Architects introduces a thoughtful new design to a 1936 residence in Melbourne’s leafy east.
With a portfolio spanning London, Copenhagen, Dubai, Los Angeles and New York, Melbourne-based practice Paul Conrad Architects draws on collaboration and a deep understanding of context, form, material and tradition to shape their architectural direction, interior design and furniture curation.
M Residence’s contemporary addition is both respectful and responsive to the defining features typical of 1930s interwar homes. With original architecture by Marcus Martin—known for a series of local residential commissions from the 1920s to 1950s—careful consideration was given to the junctions where the heritage design of the maisonette meets the new building.
Bridging the negative space between them, a dark metal-clad structure visually unifies the composition. “The extension needed to confidently assert its own identity,” notes the client, contemporary design review and research founder of The Curiae. With an overall brief to provide a comfortable home with improved functionality for a family of three, the owners weren’t interested in making an “architectural statement for its own sake”. In response, a restrained material palette was employed, with artistic masonry guiding the design approach.
Pictured: Serge Mouille Applique Araignee 3 wall light, custom timber flooring by Royal Oak Floors, Poliform Curve dining chairs, Astrid Salomon vessel from Craft Victoria, and a Pepite ceramic stool.
“A key challenge was to incorporate restrained and refined modernist principles into a compact site” while appropriately responding to its context, the studio’s founder and director Paul Conrad says. A curved design enabled the boundary to extend over the previous driveway, adding a primary suite, second living space and garage. In the new building, a double-height void with linear skylight and hand-crafted brickwork conveys a sense of permanence. Focusing on texture and tone, “using various brick widths and patterns,” gives the addition its distinctive character.
Considerate to the scale of existing houses in the neighbourhood, glazing on the northern and western aspects filters glimpses of the tree-lined streetscape. Led by the concept of outdoor rooms characteristic of the era, a courtyard garden by Eckersley Garden Architecture and framed views of surrounding greenery extends the home’s spatial experience and connection to place.
Distilling the qualities of the original home in a contemporary manner, light timber flooring contributes to “a warm, considerate, European-informed interior.” Historic 1930s details and traditional architectural elements such as the period cornices, wall openings and timber sash windows have been preserved, Conrad describes, while an updated minimalist kitchen improves functionality, amenity and connection. Dark timber and natural stone in the primary suite, kitchen and living areas provides material continuity, while linen sheers add tactility while softening direct light throughout.
“The integration of interiors and architecture is definitely a favourite aspect to the house,” Conrad reflects. “Ensuring a strong architectural relationship between old and new”, the interiors cohesively link the two volumes—balancing period features with minimal forms to establish the contemporary additions within the home.
The Tacchini Julep sofa and Just Adele Oro Side table in the living area.
Principal rooms and wall openings with ornate trims are preserved.
‘A Harp’ (2020) by Teelah George, represented by Melbourne-based gallery Neon Parc, above the fireplace.
In the bedroom, the Poliform Dream bed is paired with an Oluce Atollo lamp, Abode Living bedlinen, a Poliform Abbinabili bedside table, a Poliform Nara bench, and a When Objects Work Caillou vase.
Views out to the garden extends the home’s spatial experience. Pictured: Poliform Le Club armchair and the Just Adele Onda side table paired with ‘White Process’ by Terri Brooks from Studio Gallery.
The Poliform New York ottoman in the wardrobe.
Pictured: Calacatta Viola from Corsi & Nicolai, tapware by Astra Walker, microcement walls and floor, and Poliform Nara stool.
Pictured: Just Adele Terra 03 plinth.
A dark metal-clad insertion visually unifies the heritage and new structures.












