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Best of est | Black-Clad Gable Roof Homes

Gable roof homes are defined by their symmetrical forms, pitched rooflines and dramatic volumes. We highlight four homes that reveal how this classic form can be reinterpreted through a contemporary lens.

Proudly supported by Elton Group

Latem by Benoît Viaene

Sint-Martens-Latem, Belgium

Located just outside Ghent, Benoît Viaene’s latest residential project reveals little of its challenging past. “Built in the 80s, it had awkward proportions, strange details and a floorplan that didn’t match up with its structure. It was, quite honestly, one of the most unappealing homes I’ve ever worked on,” Viaene says. “On top of that, despite its location backing onto a nature reserve, the home did little to embrace its surroundings.”

Viaene rectified these issues by reworking the floor plan to strengthen the home’s connection to the garden, which involved extending the ground floor to create a new pitched-roof living pavilion housed within an exposed timber structure. The interiors were also completely transformed, adopting the architect’s signature “perfectly imperfect” style, characterised by fluid forms and raw materials.

A focal point of the project is the giant beech tree, which was there when the client purchased the property. “Much of the home is designed to engage with that tree, making it a natural anchor,” Viaene says. He highlights how the colour of its bark shifts with the changing seasons; as Belgium transitions into winter, the bark deepens to a rich brown, while in the warmer months, it takes on a subtle green hue. The interiors showcase wood in diverse and creative applications to pay homage to this.

Viaene is an advocate for embracing new ideas and turning challenges into opportunities, admitting that one of the home’s standout features—the exposed-timber structure housing the new pitched-roof living pavilion—was not part of the original design but rather a creative solution to a problem.

In an interview with est living, founder of his eponymous Belgian firm Vincent Van Duysen asserted that as an architect, working with the earth is both existential and imperative as a way of guaranteeing the well-being of his clients. This approach took him to a site north of Milan, Italy, surrounded by old trees, where he’s designed a home for seeking respite in nature. “The morphological context of the land—a natural hilly and wooded landscape—instilled a vertical flow to the program,” Vincent Van Duysen says, who responded with a design that accentuates horizontal lines and generous roof overhangs.

The home has two distinct facades that respond to the sloping site. The north side is described as ‘introverted and horizontal’, featuring plastered brick volumes and large windows beneath the eave line. The south side is characterised by double-height terraces of black terracotta bricks and generous roof overhangs.

The foundation lies above ground level, allowing the basement to double as a plinth for the second level and the terraces to resemble a low masonry platform. At the same time, the walls are conceived as screens that ‘rise directly from the ground’. Windows are protected by wide eave overhangs and line up as a continuous band, allowing the clients to soak up the surrounding greenery from within.

“Large continuous volumes, articulated through simple architectural artifices, create a circumscribed environment,” Van Duysen explains. “Air, light and views permeate every ambient with a sense of unity, preserving only minor subdivisions,” he adds. Determined to avoid any superfluous elements, the B Residence by Vincent Van Duysen Architects is a sensorial experience at its best, allowing for a complete and enduring immersion in nature.

Osborne by B.E Architecture & Mancini Made

Wurundjeri Woi Wurrung Country / Melbourne, Australia

Located in Melbourne’s Williamstown, Mancini Made director Paul Mancini designed his new family home in close collaboration with B.E Architecture director Jonathon Boucher. Enveloped by a significant heritage overlay of weatherboard worker’s cottages and a site measuring just under 400 square meters, the project required the architects to navigate the location’s constraints ingeniously.

Negotiating with the heritage typology, the home “was approached with great restraint, with a downplayed aesthetic responding to the vernacular of the neighbouring cottages, as a guiding factor in our strategy,” Boucher explains. “The design employed new pitched roof forms with interpretive references to period details, replacing the regularly used front pergola with a suspended concrete beam”. Informed by European and rural Japanese homes, the material dialogue for the home was established using a simplified and bold palette of black timber and concrete applied to the exterior.

Concealed from the street view, the additional level to the home is tucked towards the rear, not disturbing the front elevation of the streetscape. Impactful insertions were designed to overcome the defined land space, creating volume and depth within the home through “the clever use of a three-level light well, which is essentially the spine of the home,” Mancini explains. 

Interior Designer Vanessa Alexander’s Malibu Home

Malibu, California, North America

Although the 1960s ranch-style home had good bones, it needed rehabilitation after several ‘not-so-thoughtful’ renovations over the years and damage from the Woolsey Fire that tore through Los Angeles in 2018. Lifting design cues from Belgium’s Flemish Region, Vanessa Alexander has cultivated a deep sense of serenity in her home through art, original vintage furniture and custom-designed pieces from her range, Alexander Design.

It was the high ceilings and L-shaped floorplan that ‘hugs’ the garden that swayed Vanessa into purchasing this circa-1960s brick dwelling, although she says it certainly wasn’t short of a challenge. “The inherent architecture was interesting, but it definitely didn’t have a connection to the outdoors in the way that I wanted, and many rooms were pokey and didn’t flow to one another properly,” Alexander says.

Engaging Kovac Design Studio to oversee the architecture, the design team eliminated the ranch-style aspect of the home by removing the bricks and cladding the A-frame home entirely in Shou Sugi Ban cladding. Kovac Design Studio also enlarged all the door openings to establish a tangible connection to the outdoors and added skylights to maximise light flow. “We were quite intentional about how the home was designed and how it activates this indoor-outdoor lifestyle,” Alexander says.

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