Thorvaldsens Museum.
Five leading Australian creatives share their highlights from 3daysofdesign 2025 in Copenhagen, reflecting on standout moments, emerging themes, and the pieces, designers and installations that left a lasting impression.
Amy Henderson
Founder and director, The ARTL–NE
In three words: how would you describe the tone of 3daysofdesign 2025?
Amy Henderson: Sunny, welcoming, inspiring.
What themes or ideas felt most present this year, visually or conceptually?
Amy Henderson: The exploration and use of materiality.
What moment from 3daysofdesign has stayed with you—either visually, emotionally, or experientially?
Amy Henderson: I loved exploring other circle. The exhibition featured exhibitors from a selection of creative industries, with a focus on cross-disciplinary exchange.
There was a moment in a panel discussion that has stayed with me. One of the panellists spoke briefly about creating work that prioritises timelessness, often at the expense of the remarkable distinctiveness of now. They reminded us of the importance of capturing a moment in time, honestly, in both creativity and creation. This brief but poignant comment framed creation as a time-stamp, an idea I’ve found myself returning to again and again.
Was there a single piece, space, or installation from a brand or exhibition that felt entirely resolved to you?
Amy Henderson: Didi NG Wing Yin’s Pleats Bench was a highlight piece for me. Crafted from split wood planks and assembled to create a seamless pleated texture—an incredible piece that I am still thinking about.
What does 3daysofdesign do differently from other design weeks?
Amy Henderson: I loved the way the event expanded beyond a single location, taking you across multiple areas of the city and its design landscape. To be able to explore the event by bike was also a highlight—it allowed us to see so much of Copenhagen.
&Tradition showroom.
Karl Monies installation and the SAMSØE SAMSØE installation exhibited at other circle.
Georgina Jeffries
Interior designer
In three words: how would you describe the tone of 3daysofdesign 2025?
Georgina Jeffries: Collaborative, inviting and inspiring.
What themes or ideas felt most present this year, visually or conceptually?
Georgina Jeffries: The theme for this year’s 3daysofdesign was ‘Keep it Real’; an undertone that was certainly echoed throughout the event. Being true to one’s vision, intuition, and individual expression was evident. There was a sense of humility and authenticity that shone in Copenhagen this year.
What moment from 3daysofdesign has stayed with you—either visually, emotionally, or experientially?
Georgina Jeffries: The liveliness and jubilation of riding through the streets of Copenhagen with four wonderful women who brought different perspectives to each event was pure magic. I wish I could bottle this feeling.
Was there a single piece, space, or installation from a brand or exhibition that felt entirely resolved to you?
Georgina Jeffries: Meeting with Oliver Gustav at his showroom was a moving experience that evoked emotion and excitement. I have long admired his aesthetic, so experiencing this space was incredible. A curation of antiques, furniture, objects and art in an immersive universe.
What does 3daysofdesign do differently from other design weeks?
Georgina Jeffries: The week in Copenhagen feels so collaborative and inclusive. There is no fair, but rather a series of events that promote the history and beauty of Copenhagen’s buildings, museums, shops and restaurants with events in unlikely spaces. It feels very welcoming.
Georgina Jeffries and Phoebe Munro.
Tekla’s Modern Romance exhibition at 3daysofdesign. The exhibition space and beds are designed by Mentze Ottenstein.
Georgina Jeffries outside Thorvaldsens Museum.
Danish Modernism at The Designmuseum Denmark.
Phoebe Munro
Founder and owner, Pan After
In three words: how would you describe the tone of 3daysofdesign 2025?
Phoebe Munro: Vibrant, genuine and relaxed.
What themes or ideas felt most present this year, visually or conceptually?
Phoebe Munro: Materiality stood out and collaboration also felt front and centre from collections to panel talks.
What moment from 3daysofdesign has stayed with you—either visually, emotionally, or experientially?
Phoebe Munro: The general atmosphere and conversations; the sense that design was something to be shared, not just showcased, left the strongest impression. Every connection and every space felt very open, authentic and positive.
Was there a single piece, space, or installation from a brand or exhibition that felt entirely resolved to you?
Phoebe Munro: other circle. A great show with a strong curation and inspiring talks.
What does 3daysofdesign do differently from other design weeks?
Phoebe Munro: There is a sense of ease to 3daysofdesign that sets it apart—welcoming and open.
Louisiana Museum of Modern Art, Humlebaek.
Home from Home curated by Charlotte Taylor and Maeva Massoutier, Noura Residency.
The Power of Print at The Designmuseum Denmark.
Louisiana Museum of Modern Art, Humlebaek.
Home from Home curated by Charlotte Taylor and Maeva Massoutier, Noura Residency.
Sarah Nedovic
Artist
In three words: how would you describe the tone of 3daysofdesign 2025?
Sarah Nedovic: Collaborative—a great mix of established and emerging designers exhibiting side by side. Inclusive—studios and showrooms felt open and welcoming, with food and drinks on offer, which made everything feel really relaxed. Accessible—everything we visited was easy to get to, either on foot or a short bike ride away.
What themes or ideas felt most present this year, visually or conceptually?
Sarah Nedovic: This year’s theme, ‘Keep it Real’, centred on individual expression and creating a more caring, inclusive, and conscious world—and that really came through in the exhibitions. Personal stories felt front and centre. I particularly loved Charlotte Taylor’s Home from Home at Noura Residency, which brought together thirty-seven designers from around the world, including Australian artist and designer Olivia Bossy, all shown within a beautifully styled, lived-in apartment.
What moment from 3daysofdesign has stayed with you—either visually, emotionally, or experientially?
Sarah Nedovic: Riding around the city with four close friends, discovering inspiring spaces, meeting incredible people, and sharing great food. It was such a joyful experience—playful and lighthearted, like being kids again. That sense of freedom and connection really stayed with me.
Was there a single piece, space, or installation from a brand or exhibition that felt entirely resolved to you?
Sarah Nedovic: Hydro 100R stood out as a completely resolved and thoughtful exhibition. It featured five designers, including Sabine Marcelis, working within a 100km material radius, using salvaged aluminium from demolished greenhouses and decommissioned light poles. Everything, from the objects to the podiums, was made from 100% post-consumer aluminium—a great example of design meeting sustainability in a meaningful way.
What does 3daysofdesign do differently from other design weeks?
Sarah Nedovic: This was my first design week overseas, so I’m comparing it to my experiences with Melbourne Design Week only. What stood out in Copenhagen was how embedded design is in the city’s culture. It felt like the whole city was taking part—from the showrooms to the streets. Melbourne has some amazing designers, but we’re still working toward that same level of public engagement and celebration. Copenhagen demonstrated how design can be an integral part of everyday life.
Mixed Grill installation within the ongoing Primitive Arrangements series by Nick Ross. Exhibited at other circle. In the background is Jotun LADY’s sculptural floating mobile.
Sarah Nedovic, Thorvaldsens Museum.
Street view, FRAMA event.
Fin Juhl’s House.
Oliver Gustav’s showroom.
Oliver Gustav’s showroom.
Sunday Ganim
Textile designer
In three words: how would you describe the tone of 3daysofdesign 2025?
Sunday Ganim: Whipped butter bonanza.
What themes or ideas felt most present this year, visually or conceptually?
Sunday Ganim: Do what makes your heart sing.
What moment from 3daysofdesign has stayed with you—either visually, emotionally, or experientially?
Sunday Ganim: We were lucky enough to listen to a talk with Atelier September chef, Frederick Bille Brahe, in the King’s garden. It was a collaboration held in the park with Fritz Hensen, where they discussed atmosphere, including how to create it or attempt to strike the balance of a good vibe in a restaurant. The conversation was great. They nailed it, both in what they had to say and the way it was said among the surrounding trees of the park.
Meeting some heroes also rated highly and standing on top of BIG architects’ rooftop and looking at the water, city, and sky felt pretty special.
Was there a single piece, space, or installation from a brand or exhibition that felt entirely resolved to you?
Sunday Ganim: There were a few good ones; one that comes to mind is Kvadraat, which has developed a new material made from the recycling of hospital sheets and old textiles. Cut-up pieces of textile are pressed together and then coated to create a stiff surface perfect for cupboard faces, desks, and other furniture elements. I think it has been on the boil for a few years, but I had never seen it before. It’s fantastic. The new green colour made from recycled military uniforms was a quiet knockout.
What does 3daysofdesign do differently from other design weeks?
Sunday Ganim: The Danes are very open and inclusive. Everything was open to all within reason, and the whole thing seemed very relaxed.
Georgina Jeffries, Amy Henderson and Sunday Ganim at the Artek x Marimekko Event.
Street view, Copenhagen.